ORCID as entered in ROS
https://orcid.org/0000-0003-1100-2733
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Journal articles
, 2023, 'Lost in the Logistical Funhouse: Speculative Design as Synthetic Media Enterprise', arXiv.org, http://dx.doi.org/10.48550/arXiv.2312.14424
, 2023, 'Pluralising the Planetary: The Radical Incompleteness of Machinic Envisioning', Media+Environment, 5, http://dx.doi.org/10.1525/001c.87980
, 2021, 'Images of the arXiv: Reconfiguring large scientific image datasets', Journal of Cultural Analytics, 6, pp. 117 - 157, http://dx.doi.org/10.22148/001c.21374
, 2019, 'Platform Seeing: Image Ensembles and Their Invisualities', Theory, Culture and Society, 36, pp. 3 - 22, http://dx.doi.org/10.1177/0263276419847508
, 2016, 'Into 'inter: the between in interacting', Rivista di Estetica, 63, pp. 56 - 67, http://dx.doi.org/10.4000/estetica.1261
, 2014, 'Transversal Interference', Leonardo Electronic Almanac, 20, pp. 146 - 157, http://www.leoalmanac.org/wp-content/uploads/2014/11/LEAVol20No2-Munster.pdf
, 2014, 'Transmateriality: Toward an Energetics of Signal in Contemporary Mediatic Assemblages', Cultural Studies Review, 20, pp. 150 - 167, http://dx.doi.org/10.5130/csr.v20i1.3836
, 2013, 'Transnational Islamic movements', Transformation, 30, pp. 117 - 128, http://dx.doi.org/10.1177/0265378813476795
, 2012, '‘Pushing at Life’s Pulls. A Response to the Vital Politics of Experience in Escape Routes’', Rethinking Marxism, 24, pp. 436 - 441
, 2012, 'HokusPokus', Leonardo Electronic Almanac, 18, pp. 52 - 58
, 2011, 'After the Digital Divide? German Aesthetic Theory in the Age of New Media', GERMAN QUARTERLY, 84, pp. 397 - 398, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000293697300027&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
, 2011, 'From a Biopolitical ‘Will to Life’ to a Noopolitical Ethos of Death in the Aesthetics of Digital Code', Theory Culture and Society, 28, pp. 67 - 90, http://dx.doi.org/10.1177/0263276411417458
, 2011, 'Nerves of Data: the Neurological Turn in/against Networked Media’?', Computational Culture: A Journal of Software Studies, 1, pp. n/a - n/a, http://computationalculture.net/article/nerves-of-data
, 2011, 'Review of Koepnick, Lutz, and Erin McGlothlin, eds. After the Digital Divide? German Aesthetic Theory in the Age of New Media in', German Quarterly, 84, pp. 377 - 378
, 2010, '‘Bios and Baroque: Life in the folds of 17th-century Artifice and Contemporary Bioart’', Ars Aeterna, pp. 150 - 159
, 2010, 'Syn-aesthetics – Total Artwork or Difference Engine? Thinking Synthesis in Digital Audiovisuality', Inflexions, 4, pp. http://www.inflexions.org/volume_4/n4_munsterhtml.html
, 2009, 'Editorial: Web 2.0: Before, during and after the event', Fibreculture Journal, http://journal.fibreculture.org/issue14/index.html
, 2009, 'The Henson photographs and the `network condition`', Continuum : Journal of Media and Cultural Studies, 23, pp. 3 - 12, http://dx.doi.org/10.1080/10304310802618871
, 2005, 'Theses on Distributed Aesthetics Or What a Network is Not', Fibreculture Journal, issue 7
, 2005, 'Why is Bioart Not Terrorism: Some Critical Nodes in the Networks of Informatic Life', Culture Machine, issue 7
, 2002, 'Low Res Bleed: Congealed Affect and Digital Aesthetics', Australian and New Zealand Journal of Art, 2, 3, pp. 77 - 95
, 2001, 'Collaboration, Intersection or Hybridisation?: Interfacing Art, Science and New Media', Artlink: Australian contemporary art quarterly, pp. 1 - 3
, 2001, 'Digitality - approximate aesthetics', CTheory
, 1999, 'Is there Postlife after Postfeminism? Tropes of Technics and Life in Cyberfeminism', Australian Feminist Studies, 14, pp. 119 - 129, http://dx.doi.org/10.1080/08164649993371
, 1997, 'Reviving the diagnosis of neurasthenia', Psychological Medicine, pp. 989 - 994
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https://orcid.org/0000-0003-1100-2733