ORCID as entered in ROS

Select Publications
Tan K; Munster A; Mackenzie A, 2021, 'Images of the arXiv: Reconfiguring large scientific image datasets', Journal of Cultural Analytics, vol. 6, pp. 117 - 157, http://dx.doi.org/10.22148/001c.21374
MacKenzie A; Munster A, 2019, 'Platform Seeing: Image Ensembles and Their Invisualities', Theory, Culture and Society, vol. 36, pp. 3 - 22, http://dx.doi.org/10.1177/0263276419847508
Munster AM, 2016, 'Into 'inter: the between in interacting', Rivista di Estetica, vol. 63, pp. 56 - 67
Munster AM, 2014, 'Transversal Interference', Leonardo Electronic Almanac, vol. 20, pp. 146 - 157, http://www.leoalmanac.org/wp-content/uploads/2014/11/LEAVol20No2-Munster.pdf
Munster AM, 2014, 'Transmateriality: Toward an Energetics of Signal in Contemporary Mediatic Assemblages', Cultural Studies Review, vol. 20, pp. 150 - 167, http://epress.lib.uts.edu.au/journals/index.php/csrj/article/view/3836/3963
Münster A, 2013, 'Transnational Islamic movements', Transformation, vol. 30, pp. 117 - 128, http://dx.doi.org/10.1177/0265378813476795
Munster AM, 2012, '‘Pushing at Life’s Pulls. A Response to the Vital Politics of Experience in Escape Routes’', Rethinking Marxism, vol. 24, pp. 436 - 441, http://dx.doi.org/10.1080/08935696.2012.685282
Barker MF; Munster AM, 2012, 'HokusPokus', Leonardo Electronic Almanac, vol. 18, pp. 52 - 58
Munster A, 2011, 'After the Digital Divide? German Aesthetic Theory in the Age of New Media', GERMAN QUARTERLY, vol. 84, pp. 397 - 398, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000293697300027&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
Munster AM, 2011, 'From a Biopolitical ‘Will to Life’ to a Noopolitical Ethos of Death in the Aesthetics of Digital Code', Theory Culture and Society, vol. 28, pp. 67 - 90, http://dx.doi.org/10.1177/0263276411417458
Munster AM, 2011, 'Nerves of Data: the Neurological Turn in/against Networked Media’?', Computational Culture: A Journal of Software Studies, vol. 1, pp. n/a - n/a, http://computationalculture.net/article/nerves-of-data
Munster AM, 2011, 'Review of Koepnick, Lutz, and Erin McGlothlin, eds. After the Digital Divide? German Aesthetic Theory in the Age of New Media in', German Quarterly, vol. 84, pp. 377 - 378
Munster AM, 2010, '‘Bios and Baroque: Life in the folds of 17th-century Artifice and Contemporary Bioart’', Ars Aeterna, pp. 150 - 159
Munster AM, 2010, 'Syn-aesthetics – Total Artwork or Difference Engine? Thinking Synthesis in Digital Audiovisuality', Inflexions, vol. 4, pp. http://www.inflexions.org/volume_4/n4_munsterhtml.html
Munster AM; Murphie AK, 2009, 'Editorial: Web 2.0: Before, during and after the event', Fibreculture Journal, http://journal.fibreculture.org/issue14/index.html
Munster AM, 2009, 'The Henson photographs and the `network condition`', Continuum : Journal of Media and Cultural Studies, vol. 23, pp. 3 - 12, http://dx.doi.org/10.1080/10304310802618871
Munster AM; Lovink GW, 2005, 'Theses on Distributed Aesthetics Or What a Network is Not', Fibreculture Journal, vol. issue 7
Munster AM, 2005, 'Why is Bioart Not Terrorism: Some Critical Nodes in the Networks of Informatic Life', Culture Machine, vol. issue 7
Munster AM, 2002, 'Low Res Bleed: Congealed Affect and Digital Aesthetics', Australian and New Zealand Journal of Art, vol. 2, 3, pp. 77 - 95
Munster AM, 2001, 'Collaboration, Intersection or Hybridisation?: Interfacing Art, Science and New Media', Artlink: Australian contemporary art quarterly, pp. 1 - 3
Munster AM, 2001, 'Digitality - approximate aesthetics', CTheory
Munster A, 1999, 'Is there Postlife after Postfeminism? Tropes of Technics and Life in Cyberfeminism', Australian Feminist Studies, vol. 14, pp. 119 - 129, http://dx.doi.org/10.1080/08164649993371
Hickie IB; Hadzi-Pavlovic D; Ricci C, 1997, 'Reviving the diagnosis of neurasthenia', Psychological Medicine, vol. 27, pp. 989 - 994, http://dx.doi.org/10.1017/S0033291797004893