By Professor Anna Marie Munster

Books

Munster AM, 2013, An Aesthesia of Networks. Conjunctive Experience in Art and Technology, Technologies of Lived Abstraction, MIT Press, Cambridge, Massachussets, http://mitpress.mit.edu/books/aesthesia-networks

Munster AM, 2006, Materializing New Media: Embodiment in Information Aesthetics, 1st, University Press of New England, Hanover and London

Book Chapters

Munster AM, 2018, 'Conjunctive and Disjunctive Networks: Affects, Technics, and Arts in the Experience of Relation', in Sayers J (ed.), The Routledge Companion to Media Studies and Digital Humanities, edn. 1, Routledge, New York and London, pp. 274 - 282

Munster AM, 2017, 'Distended Nervous System: Networked Media and Its Neurological Turns', in Neidich W (ed.), The Psychopathologies of Cognitive Capitalism: Part Three, edn. 1, Archive Books, Berlin, Germany, pp. 187 - 213, http://www.archivebooks.org/2017/11/13/the-psychopathologies-of-cognitive-capitalism-part-three/

Munster AM; Barker M, 2016, 'The mutable face', in Hinkson M (ed.), IMAGING IDENTITY: MEDIA, MEMORY AND PORTRAITURE IN THE DIGITAL AGE, ANU Press, Canberra, pp. 101 - 116, https://press.anu.edu.au/publications/imaging-identity

Munster AM, 2014, '“Text and Walk without Fear”: Apps and the Experience of Transparency', in Miller PD; Matviyenko S (ed.), IMAGINARY APP, edn. Software Studies, MIT Press, Cambridge, MA, pp. 111 - 124, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000350245300012&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a

Munster A, 2014, 'Materiality', in Ryan ML; Emerson L; Robertson BJ (ed.), Johns Hopkins Guide to Digital Media, JOHNS HOPKINS UNIV PRESS, pp. 327 - 330, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000362427000096&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a

Munster AM, 2014, 'Entanglements of Brain, Technics and Experience', in Skinner S (ed.), Torque#1, Link Publications, Link Arts Center, Brescia Italy, pp. 25 - 31, http://linkeditions.tumblr.com/torque1

Munster AM, 2012, 'Digital Embodiment/Digital Materiality', in Wiedemann C; Zehle S (ed.), Depletion Design: A Glossary of Network Ecologies, edn. 1, INC Publications, Amsterdam, pp. 35 - 40

Munster A, 2010, 'Biotechnical art and the ethico-aesthetic paradigm', in Context Providers: Conditions of Meaning in Media Arts, pp. 243 - 258

Munster AM, 2008, '‘A vizuális információ tömörítése és felerősítése a Flash esztétikában’ (Compression and the intensification of information in Flash Aesthetics)', in Gerencsér P (ed.), Új, média, művészet. (New, media, art), Universitas Szeged Kiadó, Szeged, Hungary, pp. 159 - 176

Munster AM, 2008, 'Welcome to Google Earth', in Kroker A; Kroker M (ed.), Critical Digital Studies, edn. 1, University of Toronto Press, Toronto, pp. 397 - 416

Munster AM, 2008, 'Bioaesthetics as Bioethics', in Pandolowski M (ed.), Art in the Biotech Era, edn. 1, Experimental Art Foundation Inc., Adelaide, pp. 14 - 21

Munster AM, 2008, 'Outage, Seepage, Blockage: Art and Cultural Practice in the Network', in Butt D; Bywater J; Paul N (ed.), Place: Local Knowledge and New Media Practice, edn. 1, Cambridge Scholars Press, Cambridge, pp. 78 - 92

Munster AM, 2006, 'Media Art Zones - But Where`s The Media?', in Keenan and Bullock (ed.), Zones of Contact: A Critical Reader, edn. Original, Artspace, Sydney, pp. 55 - 60

Munster AM, 2004, 'Digitality: Approximate Aesthetics', in Kroker A; Kroker M (ed.), Life In The Wires: The CTheory Reader, edn. 1, NWP / CTheory Books, Victoria, Canada, pp. 415 - 429

Munster AM, 2002, 'Returns of The Deminishing Body', in Angerer ML; Peters K; Soufoulis Z (ed.), Future Bodies: Visualising the Body in Science and Fiction, edn. Original, Springer Verlag, Vienna, New York, pp. 143 - 161

Munster AM, 2001, '‘Net Affects: Responding to Shock on Internet Time’', in Brown H; Merrik H; Rossiter N; Teh D; Wilson M (ed.), Politics of a Digital Present: An Inventory of Australian Net Culture, Criticism and Theory, Melbourne, pp. 9 - 17

Munster AM, 2001, 'New Media as Old Media: Strategies of Location and Dislocation', in Shaw J; Favero DD (ed.), (dis)LOCATIONS, edn. Digital Arts Edition 1, ZKM Publications, Karlsruhe, Germany, pp. 22 - 31

Journal articles

MacKenzie A; Munster A, 2019, 'Platform Seeing: Image Ensembles and Their Invisualities', Theory, Culture and Society, vol. 36, pp. 3 - 22, http://dx.doi.org/10.1177/0263276419847508

Munster AM, 2016, 'Into 'inter: the between in interacting', Rivista di Estetica, vol. 63, pp. 56 - 67

Munster AM, 2014, 'Transversal Interference', Leonardo Electronic Almanac, vol. 20, pp. 146 - 157, http://www.leoalmanac.org/wp-content/uploads/2014/11/LEAVol20No2-Munster.pdf

Munster AM, 2014, 'Transmateriality: Toward an Energetics of Signal in Contemporary Mediatic Assemblages', Cultural Studies Review, vol. 20, pp. 150 - 167, http://epress.lib.uts.edu.au/journals/index.php/csrj/article/view/3836/3963

Münster A, 2013, 'Transnational Islamic movements', Transformation, vol. 30, pp. 117 - 128, http://dx.doi.org/10.1177/0265378813476795

Barker MF; Munster AM, 2012, 'HokusPokus', Leonardo Electronic Almanac, vol. 18, pp. 52 - 58

Munster AM, 2012, '‘Pushing at Life’s Pulls. A Response to the Vital Politics of Experience in Escape Routes’', Rethinking Marxism, vol. 24, pp. 436 - 441, http://dx.doi.org/10.1080/08935696.2012.685282

Munster A, 2011, 'After the Digital Divide? German Aesthetic Theory in the Age of New Media', GERMAN QUARTERLY, vol. 84, pp. 397 - 398, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000293697300027&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a

Munster A, 2011, 'From a Biopolitical ‘Will to Life’ to a Noopolitical Ethos of Death in the Aesthetics of Digital Code', Theory, Culture & Society, vol. 28, pp. 67 - 90, http://dx.doi.org/10.1177/0263276411417458

Munster AM, 2011, 'Review of Koepnick, Lutz, and Erin McGlothlin, eds. After the Digital Divide? German Aesthetic Theory in the Age of New Media in', German Quarterly, vol. 84, pp. 377 - 378

Munster AM, 2011, 'Nerves of Data: the Neurological Turn in/against Networked Media’?', Computational Culture: A Journal of Software Studies, vol. 1, pp. n/a - n/a, http://computationalculture.net/article/nerves-of-data

Munster AM, 2010, 'Syn-aesthetics – Total Artwork or Difference Engine? Thinking Synthesis in Digital Audiovisuality', Inflexions, vol. 4, pp. http://www.inflexions.org/volume_4/n4_munsterhtml.html

Munster AM, 2010, '‘Bios and Baroque: Life in the folds of 17th-century Artifice and Contemporary Bioart’', Ars Aeterna, pp. 150 - 159

Munster AM, 2009, 'The Henson photographs and the `network condition`', Continuum : Journal of Media and Cultural Studies, vol. 23, pp. 3 - 12, http://dx.doi.org/10.1080/10304310802618871

Munster AM; Murphie AK, 2009, 'Editorial: Web 2.0: Before, during and after the event', Fibreculture Journal, http://journal.fibreculture.org/issue14/index.html

Munster AM, 2005, 'Why is Bioart Not Terrorism: Some Critical Nodes in the Networks of Informatic Life', Culture Machine, vol. issue 7

Munster AM; Lovink GW, 2005, 'Theses on Distributed Aesthetics Or What a Network is Not', Fibreculture Journal, vol. issue 7

Munster AM, 2002, 'Low Res Bleed: Congealed Affect and Digital Aesthetics', Australian and New Zealand Journal of Art, vol. 2, 3, pp. 77 - 95

Munster AM, 2001, 'Collaboration, Intersection or Hybridisation?: Interfacing Art, Science and New Media', Artlink: Australian contemporary art quarterly, pp. 1 - 3

Munster AM, 2001, 'Digitality - approximate aesthetics', CTheory

Munster A, 1999, 'Is there Postlife after Postfeminism? Tropes of Technics and Life in Cyberfeminism', Australian Feminist Studies, vol. 14, pp. 119 - 129, http://dx.doi.org/10.1080/08164649993371

Hickie IB; Hadzi-Pavlovic D; Ricci C, 1997, 'Reviving the diagnosis of neurasthenia', Psychological Medicine, vol. 27, pp. 989 - 994, http://dx.doi.org/10.1017/S0033291797004893

Conference Papers

Barker M; Munster A, 2018, 'Moving Data: Artistic tendencies in visualising human and non-human movement', in Bowen JP; Weinel J; Diprose G; Lambert N (eds.), Moving Data: Artistic tendencies in visualising human and non-human movement, BCS Learning & Development Ltd, British Computer Society, London, UK, pp. 180 - 187, presented at Electronic Visualisation and the Arts, British Computer Society, London, UK, 09 July 2018 - 13 July 2018, http://dx.doi.org/10.14236/ewic/EVA2018.35

Munster AM, 2016, 'Keynote Address:Collectivation in TechnoAnimalities: The Case of the Monkey Selfie’,', in Keynote Address:Collectivation in TechnoAnimalities: The Case of the Monkey Selfie’,, Technocollectivities,, University of Konstanz, Germany, presented at Technocollectivities,, University of Konstanz, Germany, 09 June 2016 - 11 June 2016, https://mediaandparticipation.com/techno-collectivities/

Munster AM, 2015, 'Keynote Address, ‘Tuning in to the Signaletic: Experiments with the Imperceptible of Real time’,', in Keynote Address, ‘Tuning in to the Signaletic: Experiments with the Imperceptible of Real time’,, Tuning Speculation: III,, Toronto, Canada, presented at Tuning Speculation: III,, Toronto, Canada, 20 November 2015 - 22 September 2016

Barker MF; Munster AM, 2015, 'The Feeling of the Wave (in 5 movements)', in Perception, Movement, Image – always more than human, Media Art Histories: Re-Create 2015, Université du Québec à Montréal, Canada, presented at Media Art Histories: Re-Create 2015, Université du Québec à Montréal, Canada, 05 November 2015 - 08 November 2015, http://www.mediaarthistory.org/recreate-2015

Barker MF; Munster AM, 2015, 'Perception and the nonhuman', in Struck, MOCA Taipei, Museum of Contemporary Art, Taipei, pp. 84 - 87, presented at Post-Humanist Desire, Museum of Contemporary Art, Taipei, 23 November 2013 - 24 November 2013, http://www.mocataipei.org.tw/index.php/2012-01-12-03-36-46/past-exhibitions/173-exhibition-review-2013/974-post-humanist-desire

Barker MF; Munster AM, 2015, 'The mutable face: From Electrocution to microexpression in facial regimes', in The mutable face: From Electrocution to microexpression in facial regimes, Imaging Identity: Media, Memory and Visions of Humanity in the Digital Present, National Portrait Gallery, Canberra, presented at Imaging Identity: Media, Memory and Visions of Humanity in the Digital Present, National Portrait Gallery, Canberra, 15 July 2010 - 17 July 2010

Barker MF; Munster AM, 2014, 'Struck and the medicalised body', in Struck and the medicalised body, Ultimo Science Festival, Powerhouse Museum, presented at Ultimo Science Festival, Powerhouse Museum, 11 September 2014 - 11 September 2014, https://sydneyscience.com.au/

Barker MF; Munster , 2012, 'The Neuroscience of Magic', in The Neuroscience of Magic, Watermans’ International Festival of Digital Art, Watermans' Gallery, London, presented at Watermans’ International Festival of Digital Art, Watermans' Gallery, London, 21 April 2012 - 21 April 2012

Barker MF; Munster A, 2012, 'HokusPokus: the magic and science of perception', in Hokus Pokus, Watermans International Festival of Digital Art, Watermans Gallery, London, presented at Watermans International Festival of Digital Art, Watermans Gallery, London, 21 April 2012 - 21 April 2012, http://www.digitalmeetsculture.net/article/watermans-international-festival-of-digital-art/

Back to profile page