Select Publications
Books
2016, The Go-To How-To Guide to Anarchiving, Murphie AK, (ed.), The Senselab, Montréal, http://senselab.ca/wp2/immediations/upcoming-distributing-the-insensible-dec-10-20-2016/the-go-to-how-to-guide-to-anarchiving/
,2013, An Aesthesia of Networks. Conjunctive Experience in Art and Technology, MIT Press, Cambridge, Massachussets, http://mitpress.mit.edu/books/aesthesia-networks
,2011, Nerves of Perception, Munster AM, (ed.), Open Humanities Press, http://openhumanitiespress.org/
,2006, Materializing New Media: Embodiment in Information Aesthetics, University Press of New England, Hanover and London
,Book Chapters
2024, 'Ecologies of Duration: a visual essay on thinking-imaging novel space-times with drones', in Pong B; Richardson M (ed.), Drone Aesthetics: War, Culture, Ecology, Open Humanities Press, pp. 244 - 253, https://www.openhumanitiespress.org/books/titles/drone-aesthetics/
,2023, 'Performing the Automated Image', in Choreomata: Performance and Performativity after AI, pp. 47 - 73, http://dx.doi.org/10.1201/9781003312338-4
,2022, 'Moving Data: Visualizing Human and Nonhuman Movement Artistically', in Gwilt I (ed.), Making Data Materializing Digital Information, Bloomsbury Publishing, https://www.bloomsbury.com/us/making-data-9781350133235/
,2021, '‘Disfluent Interfaces. Affective Conversations: Differencing Humans and Machines in AI’', in Stavning Thomsen BM; Kofoed J; Fritsch J (ed.), Affects, Interfaces, Events, Imbricate Press, Vancouver, pp. 39 - 58, http://dx.doi.org/10.22387/IMBAIE
,2021, 'Oscilloscopes, slide-rules, and nematodes Toward heterogenetic perception in/of AI', in Lushetich N; Campbell I (ed.), Distributed Perception Resonances and Axiologies, Taylor and Francis, UK, pp. 64 - 81, http://dx.doi.org/10.4324/9781003157021-6
,2019, 'Signaletic Immediations: Sensing New Media as Relational Events and Ecologies', in Manning E; Munster A; Stavning Thomsen BM (ed.), Immediation 1, Open Humanities Press, pp. 228 - 239, http://www.openhumanitiespress.org/books/titles/immediation/
,2018, 'Conjunctive and Disjunctive Networks: Affects, Technics, and Arts in the Experience of Relation', in Sayers J (ed.), The Routledge Companion to Media Studies and Digital Humanities, Routledge, New York and London, pp. 274 - 282, https://www.routledgehandbooks.com/doi/10.4324/9781315730479-28
,2017, 'Distended Nervous System: Networked Media and Its Neurological Turns', in Neidich W (ed.), The Psychopathologies of Cognitive Capitalism: Part Three, Archive Books, Berlin, Germany, pp. 187 - 213, http://www.archivebooks.org/2017/11/13/the-psychopathologies-of-cognitive-capitalism-part-three/
,2016, 'The mutable face', in Hinkson M (ed.), Imaging Identity: Media, memory and portraiture in the digital age, ANU Press, Canberra, pp. 101 - 116, http://dx.doi.org/10.22459/ii.08.2016.05
,2014, '“Text and Walk without Fear”: Apps and the Experience of Transparency', in Miller PD; Matviyenko S (ed.), The Imaginary App, MIT Press, Cambridge, MA, pp. 111 - 124, http://mitpress.mit.edu/books/imaginary-app
,2014, 'Biotechnical art and the ethico-aesthetic paradigm', in Context Providers: Conditions of Meaning in Media Arts, pp. 243 - 258
,2014, 'Materiality', in Ryan M-L; Emerson L; Robertson B (ed.), The Johns Hopkins Guide to Digital Media, Johns Hopkins University Press, Baltimore, USA, pp. 327 - 330, https://jhupbooks.press.jhu.edu/content/johns-hopkins-guide-digital-media
,2014, 'Entanglements of Brain, Technics and Experience', in Skinner S (ed.), Torque#1, Link Publications, Link Arts Center, Brescia Italy, pp. 25 - 31, http://linkeditions.tumblr.com/torque1
,2012, 'Digital Embodiment/Digital Materiality', in Wiedemann C; Zehle S (ed.), Depletion Design: A Glossary of Network Ecologies, INC Publications, Amsterdam, pp. 35 - 40
,2010, 'Biotechnical Art and the Ethico-Aesthetic paradigm', in Lovejoy M; Paul C; Vesna V (ed.), Context Providers Conditions of Meaning in Media Arts, Intellect Ltd, Chicago, pp. 245 - 259
,2008, '‘A vizuális információ tömörítése és felerősítése a Flash esztétikában’ (Compression and the intensification of information in Flash Aesthetics)', in Gerencsér P (ed.), Új, média, művészet. (New, media, art), Universitas Szeged Kiadó, Szeged, Hungary, pp. 159 - 176
,2008, 'Bioaesthetics as Bioethics', in Pandolowski M (ed.), Art in the Biotech Era, Experimental Art Foundation Inc., Adelaide, pp. 14 - 21
,2008, 'Outage, Seepage, Blockage: Art and Cultural Practice in the Network', in Butt D; Bywater J; Paul N (ed.), Place: Local Knowledge and New Media Practice, Cambridge Scholars Press, Cambridge, pp. 78 - 92
,2008, 'Welcome to Google Earth', in Kroker A; Kroker M (ed.), Critical Digital Studies, University of Toronto Press, Toronto, pp. 397 - 416
,2006, 'Media Art Zones - But Where`s The Media?', in Keenan and Bullock (ed.), Zones of Contact: A Critical Reader, Artspace, Sydney, pp. 55 - 60
,2004, 'Digitality: Approximate Aesthetics', in Kroker A; Kroker M (ed.), Life In The Wires: The CTheory Reader, NWP / CTheory Books, Victoria, Canada, pp. 415 - 429
,2002, 'Returns of The Deminishing Body', in Angerer ML; Peters K; Soufoulis Z (ed.), Future Bodies: Visualising the Body in Science and Fiction, Springer Verlag, Vienna, New York, pp. 143 - 161
,2001, '‘Net Affects: Responding to Shock on Internet Time’', in Brown H; Merrik H; Rossiter N; Teh D; Wilson M (ed.), Politics of a Digital Present: An Inventory of Australian Net Culture, Criticism and Theory, Melbourne, pp. 9 - 17
,2001, 'New Media as Old Media: Strategies of Location and Dislocation', in Shaw J; Favero DD (ed.), (dis)LOCATIONS, ZKM Publications, Karlsruhe, Germany, pp. 22 - 31
,Edited Books
Munster A; Manning E; Stavning Thomsen BM, (eds.), 2019, Immediation I, Open Humanities Press, Online, http://www.openhumanitiespress.org/books/titles/immediation-1/
Munster A; Manning E; Stavning Thomsen BM, (eds.), 2019, Immediation II, Open Humanities Press, online, http://www.openhumanitiespress.org/books/titles/immediation-2/
Journal articles
2024, 'Lost in the logistical funhouse: speculative design as synthetic media enterprise', AI and Society, http://dx.doi.org/10.1007/s00146-024-02038-3
,2023, 'Lost in the Logistical Funhouse: Speculative Design as Synthetic Media Enterprise', arXiv.org, http://dx.doi.org/10.48550/arXiv.2312.14424
,2023, 'Pluralising the Planetary: The Radical Incompleteness of Machinic Envisioning', Media+Environment, 5, http://dx.doi.org/10.1525/001c.87980
,2021, 'Images of the arXiv: Reconfiguring large scientific image datasets', Journal of Cultural Analytics, 6, pp. 117 - 157, http://dx.doi.org/10.22148/001c.21374
,2019, 'Platform Seeing: Image Ensembles and Their Invisualities', Theory, Culture and Society, 36, pp. 3 - 22, http://dx.doi.org/10.1177/0263276419847508
,2017, 'Inside Out: Detecting Learners' Confusion to Improve Interactive Digital Learning Environments', JOURNAL OF EDUCATIONAL COMPUTING RESEARCH, 55, pp. 526 - 551, http://dx.doi.org/10.1177/0735633116674732
,2016, 'Into 'inter: the between in interacting', Rivista di Estetica, 63, pp. 56 - 67, http://dx.doi.org/10.4000/estetica.1261
,2014, 'Transversal Interference', Leonardo Electronic Almanac, 20, pp. 146 - 157, http://www.leoalmanac.org/wp-content/uploads/2014/11/LEAVol20No2-Munster.pdf
,2014, 'Transmateriality: Toward an Energetics of Signal in Contemporary Mediatic Assemblages', Cultural Studies Review, 20, pp. 150 - 167, http://dx.doi.org/10.5130/csr.v20i1.3836
,2013, 'Transnational Islamic movements', Transformation, 30, pp. 117 - 128, http://dx.doi.org/10.1177/0265378813476795
,2012, '‘Pushing at Life’s Pulls. A Response to the Vital Politics of Experience in Escape Routes’', Rethinking Marxism, 24, pp. 436 - 441
,2012, 'HokusPokus', Leonardo Electronic Almanac, 18, pp. 52 - 58
,2011, 'After the Digital Divide? German Aesthetic Theory in the Age of New Media', GERMAN QUARTERLY, 84, pp. 397 - 398, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000293697300027&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
,2011, 'From a Biopolitical ‘Will to Life’ to a Noopolitical Ethos of Death in the Aesthetics of Digital Code', Theory Culture and Society, 28, pp. 67 - 90, http://dx.doi.org/10.1177/0263276411417458
,2011, 'Nerves of Data: the Neurological Turn in/against Networked Media’?', Computational Culture: A Journal of Software Studies, 1, pp. n/a - n/a, http://computationalculture.net/article/nerves-of-data
,2011, 'Review of Koepnick, Lutz, and Erin McGlothlin, eds. After the Digital Divide? German Aesthetic Theory in the Age of New Media in', German Quarterly, 84, pp. 377 - 378
,2010, '‘Bios and Baroque: Life in the folds of 17th-century Artifice and Contemporary Bioart’', Ars Aeterna, pp. 150 - 159
,2010, 'Syn-aesthetics – Total Artwork or Difference Engine? Thinking Synthesis in Digital Audiovisuality', Inflexions, 4, pp. http://www.inflexions.org/volume_4/n4_munsterhtml.html
,2009, 'Editorial: Web 2.0: Before, during and after the event', Fibreculture Journal, http://journal.fibreculture.org/issue14/index.html
,2009, 'The Henson photographs and the `network condition`', Continuum : Journal of Media and Cultural Studies, 23, pp. 3 - 12, http://dx.doi.org/10.1080/10304310802618871
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