By Professor Anna Marie Munster

Journal articles

Munster AM, 2001, 'Digitality - approximate aesthetics', CTheory

Munster A, 1999, 'Is there Postlife after Postfeminism? Tropes of Technics and Life in Cyberfeminism', Australian Feminist Studies, 14, pp. 119 - 129, http://dx.doi.org/10.1080/08164649993371

Hickie IB; Hadzi-Pavlovic D; Ricci C, 1997, 'Reviving the diagnosis of neurasthenia', Psychological Medicine, pp. 989 - 994

Conference Papers

Barker M; Munster A, 2018, 'Moving Data: Artistic tendencies in visualising human and non-human movement', in Bowen JP; Weinel J; Diprose G; Lambert N (eds.), Moving Data: Artistic tendencies in visualising human and non-human movement, BCS Learning & Development Ltd, British Computer Society, London, UK, pp. 180 - 187, presented at Electronic Visualisation and the Arts, British Computer Society, London, UK, 09 July 2018 - 13 July 2018, http://dx.doi.org/10.14236/ewic/eva2018.35

Munster AM, 2016, 'Keynote Address:Collectivation in TechnoAnimalities: The Case of the Monkey Selfie’,', University of Konstanz, Germany, presented at Technocollectivities,, University of Konstanz, Germany, 09 June 2016 - 11 June 2016, https://mediaandparticipation.com/techno-collectivities/

Munster AM, 2015, 'Keynote Address, ‘Tuning in to the Signaletic: Experiments with the Imperceptible of Real time’,', in Keynote Address, ‘Tuning in to the Signaletic: Experiments with the Imperceptible of Real time’,, Tuning Speculation: III,, Toronto, Canada, presented at Tuning Speculation: III,, Toronto, Canada, 20 November 2015 - 22 September 2016

Barker MF; Munster AM, 2015, 'The Feeling of the Wave (in 5 movements)', in Perception, Movement, Image – always more than human, Université du Québec à Montréal, Canada, presented at Media Art Histories: Re-Create 2015, Université du Québec à Montréal, Canada, 05 November 2015 - 08 November 2015, http://www.mediaarthistory.org/recreate-2015

Barker MF; Munster AM, 2014, 'Struck and the medicalised body', in Struck and the medicalised body, Ultimo Science Festival, Powerhouse Museum, presented at Ultimo Science Festival, Powerhouse Museum, 11 September 2014 - 11 September 2014, https://sydneyscience.com.au/

Barker MF; Munster AM, 2013, 'Perception and the nonhuman', in Struck, MOCA Taipei, Museum of Contemporary Art, Taipei, pp. 84 - 87, presented at Post-Humanist Desire, Museum of Contemporary Art, Taipei, 23 November 2013 - 24 November 2013, http://www.mocataipei.org.tw/index.php/2012-01-12-03-36-46/past-exhibitions/173-exhibition-review-2013/974-post-humanist-desire

Munster AM, 2012, 'Keynote Address: Tranmateriality', in Milne E (ed.), Keynote Address: Tranmateriality, CODE 2012, presented at CODE 2012, 21 November 2012 - 23 November 2012, http://code2012.wikidot.com/

Munster AM, 2012, 'Keynote Address: Transversal Interference', in Transversal Interference, Transdisciplinary Imaging Conference, Melbourne, pp. 25 - 36, presented at Interference: Second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, Melbourne, 22 June 2012 - 23 June 2012, http://blogs.unsw.edu.au/tiic/files/2013/03/Transimage_conference_proceedings2012.pdf

Barker MF; Munster A, 2012, 'HokusPokus: the magic and science of perception', in Hokus Pokus, Watermans International Festival of Digital Art, Watermans Gallery, London, presented at Watermans International Festival of Digital Art, Watermans Gallery, London, 21 April 2012 - 21 April 2012, http://www.digitalmeetsculture.net/article/watermans-international-festival-of-digital-art/

Barker MF; Munster AM, 2010, 'The mutable face: From Electrocution to microexpression in facial regimes', in The mutable face: From Electrocution to microexpression in facial regimes, National Portrait Gallery, Canberra, presented at Imaging Identity: Media, Memory and Visions of Humanity in the Digital Present, National Portrait Gallery, Canberra, 15 July 2010 - 17 July 2010

Munster AM, 2006, 'Comments on `New Languages: Communicating with the Public`', in New Constellations: Art Science and Society, New Constellations: Art Science and Society, Museum of Contemporary Art, Sydney, presented at New Constellations: Art Science and Society, Museum of Contemporary Art, Sydney, 17 March 2006 - 19 March 2006

Munster AM, 2001, 'Net Affects: Responding to Shock on Internet Time', in Brown H; Lovink G; Merrick H; Rossiter N; Teh D; Willson M (eds.), politics of a Digital Present, Fibreculture Publications, Australia, pp. 9 - 17, presented at Politics od a Digital Present, Melbourne, 06 December 2001 - 08 December 2001

Conference Presentations

Munster AM, 2017, 'DeepAesthetics: why we need artists’ eyes on AI', presented at Visualisation Matters, University of New South Wales, 22 November 2017 - 22 November 2017, http://visualisation.matters.today/2017/

Munster AM, 2016, 'Plenary Address: ‘Collectivation in TechnoAnimalities: The Case of the Monkey Selfie’', presented at Technocollectivities, University of Konstanz, Germany, 09 June 2016 - 11 June 2016, https://mediaandparticipation.com/techno-collectivities/

Biddle J; Munster A; Tello V, 2016, '[Convened Seminar Series]', presented at precarity//futurity//aesthetics, CCAP and Visual Anthropology, NIEA, UNSW Art & Design, -

Munster AM, 2015, 'Keynote Address, ‘Tuning in to the Signaletic: Experiments with the Imperceptible of Real time’', presented at Tuning Speculation III, Array Music and York University, Toronto, 20 November 2015 - 22 November 2015, http://www.theocculture.net/t-spec3/

Munster AM, 2015, 'Keynote Address: Nerves of Data', presented at A Billon Gadgets Minds: Thinking Widgets, Data and Workflow, Swedenborg Hall, London, 21 October 2015 - 21 October 2010

Munster AM, 2015, 'Keynote Address: From technology to techniques; from mediation to ‘immediation’. Or, what working with others and across media can teach us about bodies, experience and technics.', presented at UNruly Techniques, Deakin University, Victoria, 14 August 2015 - 14 August 2015, https://blogs.deakin.edu.au/unruly/

Barker MF; Munster , 2014, 'The Neuroscientific image', presented at Ultimo Science Festival, Powerhouse Museum, 11 September 2014 - 11 September 2014

Munster AM; Barker MF, 2013, 'Perception and the nonhuman', presented at Posthumanist Desire: International Symposium, Museum of Contemporary Art, Taipei, Taiwan, 23 November 2013 - 24 November 2013, http://www.mocataipei.org.tw/index.php/2012-01-12-03-46-26/2012-01-12-03-46-53/lectures/1001-2013112324

Munster AM, 2012, ''Transversal Interference'.', presented at Interference: Second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, Melbourne, 22 June 2012 - 24 June 2012, http://blogs.unsw.edu.au/tiic/transdisciplinary-imaging-conference-archive-2012/

Munster AM, 2011, '“‘Hahaha’ – 186,775,728 views. Emerging collectivities of publics, emerging experiences of affect across viral media.”', presented at NIEA Experimental Arts, University of New South Wales, 19 August 2011 - 20 August 2011

Barker MF; Munster AM, 2010, 'The mutable face: capturing expression, identity and ideals through scientific imaging technologies', presented at Imaging Identity, National Portrait Gallery Canberra, ACT, 15 July 2010 - 17 July 2010

Theses / Dissertations

Keulemans G, 2015, Affect and the experimental design of domestic products, University of New South Wales, Art & Design, https://www.academia.edu/35605876/affect_and_the_experimental_design_of_domestic_products

Munster AM, 2001, Machinic Disturbants: Genealogies of the Digital

Creative Written Works

Munster A; Goodman A, 2023, ChatGPT Did Not Take Place, Art +Australia, Baker S, (ed.), University of Melbourne, https://www.artandaustralia.com/58_2/p145/chatgpt-did-not-take-place

Munster A, 2021, Saana Suites, Hearing the Impossible, Herbert M, (ed.), Accidental Editions, https://accidentalrecords.bandcamp.com/album/hearing-the-impossible

Munster AM, 2009, ‘Data undermining: the work of networked art in an age of imperceptibility’ http://munster.networkedbook.org/data-undermining-the-work-of-networked-art-in-an-age-of-imperceptibility/, Networked: A networked book about networked art, Green JA; Hankwitz M; Mancuso M; Navas E; Thorington H, (eds.), Turbulence.org, http://turbulence.org/networked/guidelines.html

Munster AM, 2007, ‘Emsamblar pensiamento colectivo: Assemblage for Collective Thought’, Aminima Magazine

Munster AM, 2007, Emsamblar pensiamento colectivo: Assemblage for Collective Thought, A Minima, Espacio y Publicaciones

Munster AM, 2005, Outage, Seepage, Blockage: art and cultural praxis in the network, Disobedience, Ivan Dougherty Gallery, COFA

Munster AM, 2001, Symmetry and its Dissimilarities, Intersections of Art and Science, Ivan Dougherty Gallery

Creative Works (non-textual)

Munster A; Tan K; Mackenzie A, 2021, ImageMesh, ImageMesh, 01 July 2021 - 01 July 2025, medium: online interface, at: https://imagemesh.ai/

Munster A; Barker M, 2019, hold, all the time in the world, Artspace, Sydney and The Big Anxiety Festival, 03 October 2019 - 27 October 2019, medium: multichannel sound and video, at: https://www.artspace.org.au/program/ideas-platform/2019/michele-barker-plus-anna-munster-all-the-time-in-the-world/

Barker MF; Munster ; Kriss K, 2017, pull, Experimenta Make Sense, RMIT Gallery, Melbourne, 05 October 2017 - 11 November 2017, medium: video installation, at: http://experimenta.org/makesense/

Barker MF; Munster , 2015, evasion (duet), Motion: the body & movement in contemporary art practice, Bega Valley Regional Gallery, 17 July 2015 - 22 August 2015, at: http://www.begavalley.nsw.gov.au/cp_themes/default/page.asp?p=DOC-HDP-51-45-16

Barker M; Munster A, 2014, evasion, évasion, UTS Gallery, University of Technology, Broadway, Sydney Australia, 28 October 2014 - 28 November 2014, medium: Multichannel audiovisual responsive installation, at: http://art.uts.edu.au/index.php/exhibitions/evasion/

Barker MF; Munster , 2014, Struck II, Ultimo Science Festival, Powerhouse Museum, 11 September 2014 - 11 September 2014

Barker MF; Munster A, 2013, Struck, Posthumanist Desire: Sexuality and Digitality in Contemporary Art, Museum of Contemporary Art, Taipei, 23 November 2013 - 12 January 2014, medium: 3 channel video installation, at: http://www.mocataipei.org.tw/index.php/2012-01-12-03-36-46/past-exhibitions/173-exhibition-review-2013/974-post-humanist-desire

Munster AM; Barker MF, 2012, After Melies, Born in 1987, The Photographers' Gallery, London UK, 19 May 2012 - 27 August 2012, medium: Digital Video, at: http://thephotographersgallery.org.uk/the-wall-2

Barker MF; Munster AM, 2012, HokusPokus, International Festival of Digital Art, Watermans Gallery; London, UK, 14 April 2012 - 20 May 2012, medium: Interactive installation

Barker MF; Munster A, 2011, The Duchenne Smile, The Duchenne Smile, Albury Digital Outdoor Gallery, 10 November 2011 - 23 December 2011

Barker MF; Munster A, 2011, HokusPokus, HokusPokus, CarriageWorks/Performance Space, Sydney, 04 November 2011 - 26 November 2011

Munster AM; Barker M, 2011, The Love Machine II, FACE TO FACE: Portraiture in a Digital Age, Seoul Museum of Art, 28 April 2011 - 29 June 2011, medium: digital images, at: http://www.dlux.org.au/cms/Past-Projects/face-to-face-portraiture-in-a-digital-age.html

Barker MF; Munster A, 2010, The 56th Blake Prize: Exploring the Religious and Spiritual in Art, Blake Prize for Religious Art, 06 October 2010 - 15 January 2011

Barker MF; Munster AM, 2010, Inside Out, Chulalongkorn University; Bangkok, 06 September 2010 - 16 October 2010

Barker MF; Munster AM, 2010, Inside Out, Insideout: Sculpture in the digital age, DMU Cube Gallery; Leichester, UK, 01 September 2010 - 21 September 2010

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